SKELTON THE WRITER
Here I plan to make some of my writing available to you for viewing, perhaps even download. All downloadable documents are in pdf format, copyrighted, and subject to royalties upon reuse. If you see something you really like or really hate, let me know. As of July, 2018, I have no literary representation, so if you are an agent or manager and you are interested in discussing a professional relationship, please contact me.
DEMON SMACKDOWN is now in the query pile. Before starting my next novel, I am going back to see what I can do with the ANIMAL MAYHEM screenplay. Turns out it was pretty tight to begin with, because I'm finding I can't really add much of the fun new stuff I put in the book. Would love to see this as either two movies or a limited series. I do have sequel ideas, so a series would probably work very well. If the book ever gets published, that is.
May 8, 2018 - DEMON SMACKDOWN novel is still with my proofreader, so I'm using this time between novels to re-write my ANIMAL MAYHEM screenplay. Also, I have a manager looking at my screenplays for CODY'S RAPTURE and DEMON SMACKDOWN, as well as the CLOWN HOSPITAL pilot. So, not just sittin' around here, twiddling my thumbs.
April 18, 2018 - DEMON SMACKDOWN is ready for proofreading, but my proofreader can't get to it until next week! In the meantime, I have been sending out a few more queries for ARSENAL STREET and ANIMAL MAYHEM. I've about exhausted the possibilities for ARSENAL STREET and am contemplating self-publishing the book. If I do, I imagine the cover will look something like this:
April 7, 2018 - DEMON SMACKDOWN is nearly ready. Just waiting for Sarah to give her final feedback, then some tweaks and a trip to my proofreader.
January 1, 2018 - The beginning of a new year is upon us. Still working on that DEMON SMACKDOWN rewrite. And with the new tax rules going into effect, wondering whether I will be keeping this website up as the cost is no longer deductible.
August 28, 2017 - Closing in on the end of a second draft of DEMON SMACKDOWN. Had an epiphany while completing the first draft - the building itself will narrate the story! An interesting challenge and lots of fun.
GOOD NIGHT, SLEEP TIGHT - An aspiring hotel owner fights to keep her dreams, and her staff, from being sucked dry by giant bedbugs.
CODY'S RAPTURE - Adapted from Phil Ward's
unproduced play, BLESSED. A selfless woman with the voice of an angel
is given a chance to change the world. Taking that chance will cost her
everything. Cody’s Rapture is a Supernatural Drama in the vein of
Jacob’s Ladder and The Sixth Sense.
WHITE TRUCK - A woman follows her runaway sister to the edge of
oblivion. This short film script was inspired by my one-act play,
WAITING FOR THE RAIN.
ANGRY YOUNG POET - a collection of 20th century poems
DOCTOR SONG - a little Reggae tune performed with Kyler & Tyler back in the 90's
OUR LIFE IS NOT SO BAD - a Bluegrass ditty I came up with after a long string of bad things happening to other people, something that often prompted me to turn to Sarah and say, "Our life is not bad."
TREASURE ISLAND - This is my adaptation of the Stevenson classic. Commissioned and produced by Serendipity Theatre Company in 1997, during the company's stay in Burbank. It played to very enthusiastic audiences.
A SAUCERFUL OF CARROTS - This is a rather naughty and extremely silly play I wrote back in the 1980s. There have been staged readings, but no real production yet. Remember - extremely silly.
RING OF SLEAZE - Here is a one-act play I started as an undergrad and completed sometime in the late 90s. Still not happy with the character names.
BLACKOUT - This short play was originally presented in 1990 by Gorilla Theatre Productions, as part of an evening of my work under the collective title, HELTER SKELTON. After some revisions, it was presented in 1996 by Theatre of NOTE as one of six plays in an evening titled THE NATURE OF THINGS.
WAITING FOR THE RAIN - This one-act play is my most produced work. Productions include GTP's HELTER SKELTON in Kansas City and being twice produced by Theatre of NOTE in Los Angeles. It is also the core inspiration for no less than three of my screenplays.